This provides a connection between the sisters' happy past and their ability to remember that love in difficult times. It is possible that he resembles some of the characteristics of Anna's younger self. Olaf, on one end of that spectrum, represents the most innocent kind form of love.
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He's innocent love." The continuous themes that can be seen throughout the movie revolve around the power of love and fear. And so when Elsa is singing "Let It Go" obviously the first thing she goes to is the last moment she was happy. But they name him Olaf and he likes warm hugs." "It inspires the look. They'd sneak away and play with her powers. "When Anna and Elsa were very little, and before Elsa's powers accidentally hurt Anna, they played. He is not just funny, he also has a "big role to play representing the innocent love in the scale of fear versus love." It was not until he meant something to the girls that he resonated with us," "Olaf couldn't just be thrown in, he had to have a purpose" and that one of his purposes was to be the embodiment of the sisterly relationship that had gone cold. Design and characterization Īs a snowman Anna and Elsa built together as kids, Olaf represents innocent love and the joy the sisters once had when they were young before being split. Gad based his performance on his The Book of Mormon co-star Rory O'Malley. Impressed by the performances of comedic relief sidekicks such as Timon and Pumbaa in The Lion King, or the Genie in Aladdin, Gad set the goal to play characters of this type since his early age: "I remember saying, "I want to do that one day. "I grew up during the second golden age of Disney animation, when every movie that came out was an event – The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King," he said. Gad later expressed that getting a part in a Disney film was "kind of a dream come true" for him, as he had always been a fan of Disney films in general and their animated productions in particular. Josh Gad, a Tony-nominated actor best known for his performance as Elder Cunningham in Broadway's The Book of Mormon (which was co-written by the Frozen's co-songwriter Robert Lopez), was cast to voice Olaf. The new script, which employed "the same concept but was completely rewritten", finally solved the long-term problem with Andersen's story by depicting Anna and Elsa as sisters. On December 22, 2011, Disney announced a new title for the film, Frozen, which would be released on November 27, 2013, and a different crew from the previous attempt.
However, by early 2010, the project was scrapped again. This version was "completely different" from Frozen it had a storyline that stuck much closer to the original material and featured an entirely different Olaf character, the role more resembling Marshmallow's. In 2008, Chris Buck pitched Disney his version of the story called Anna and the Snow Queen, which was planned to be traditionally animated. Later on, other Disney executives had made efforts to translate this material to the big screen, however these proposals were all shelved due to similar issues. However, the story and the characters proved to be too symbolic and posed unsolvable problems to Disney and his animators.
The Disney studio made their first attempts to adapt Hans Christian Andersen's fairytale, " The Snow Queen", as early as 1943, when Walt Disney considered the possibility of producing a biography film of the author.
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